AI Fictions

AI Movies (2)EN

03.06
16:15 - 17:00

Description

This session is the second part of the dyptich on AI representing as a moving image. This one will touch upon question of AI as a means to express a life force, and as a manifestations of the blurry boundaries between a human conscience and an artificial one, particularly through works such as Ghost in the Shell, Upload and Blade Runner 2049.

Chair

Université Lyon-3

Marida Di Crosta is associate professor at Lyon 3 University where she teaches Digital Writing, Scriptwriting, Research Methodology and Research-Creation, as well as AI-related storytelling practices. As a scholar and reflective practitioner, Marida works on rethinking narratology and screenwriting theories in relation to interactivity, platformization, and AI-related creative practices. Her research has been focused on data-driven storytelling and the use of AI algorithms in both scriptwriting and assessing screenplays. 

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Speakers

The Law of Upload

Bio

João Marinotti is the Jerome Hall Postdoctoral Fellow at the Center for Law, Society and Culture at the Indiana University Maurer School of Law, a Fellow at the Center for Intellectual Property Research at Indiana University Maurer School of Law, and a Visiting Fellow at the Information Society Project at Yale Law School. His research lies at the intersection of emerging technologies and private law theory, including property, contract, and tort law. He focuses on the evolution and application of private law in the face of changing social, linguistic, and cognitive conceptualizations of technologies. His current work addresses property theory and the shared social customs and intuitions surrounding digital assets, prosthetics, artificial intelligence, and blockchain. At Indiana University Maurer School of Law, João will teach in the areas of property theory and intellectual property.

Dr. Asaf Lubin is an Associate Professor of Law at Indiana University Maurer School of Law, a Fellow at the Center for Applied Cybersecurity Research at Indiana University, an Affiliated Fellow at the Information Society Project at Yale Law School, and a Faculty Associate at the Berkman Klein Center for Internet and Society at Harvard University. Dr. Lubin’s research centers around the intersection of law and technology, particularly as it relates to the regulation of cybersecurity harms, liabilities, and insurance as well as policy design around governmental and corporate surveillance, data protection, and internet governance. Dr. Lubin has previously written on and taught seminars in public and private international law, cybersecurity and cyber risk management, torts law, international human rights and humanitarian law, and criminal procedure and counterterrorism. He has published with the Harvard International Law Journal, the Harvard National Security Journal, the Yale Journal of International Law, and the Chicago Journal of International Law, and written for Just Security and Lawfare.

Gynoïdes et enceintes: singularité organique de l'IA dans les films de science-fiction

Bio

Passionnée depuis toujours par la science-fiction et les mondes imaginaires, j’ai développé une large culture autour de ces sujets, tant littéraire que cinématographique, et en ai retiré un mémoire de recherche au cours d’un Master de Recherche en Cinéma et Audiovisuel à l’Université Sorbonne Nouvelle Paris 3, articulant tant les questions d’études de genre que de genre filmique au sein du tech-noir, sous genre dédié à l’impact de la technologie sur l’imaginaire. Par ailleurs, après des études d’art et d’architecture, je travaille comme monteuse vidéo, assistante d’artistes et sculptrice dans l’atelier d’Emmanuel Rivière.

Agents Intelligents oeuvres d'art: personnages du language et de la fiction

Bio

Nikoleta Kerinska est artiste multimédia, chercheur et enseignant d'art numérique. Sa ligne principale de recherche concerne l’art numérique interactif, la réalité virtuelle et l’utilisation de l’intelligence artificielle dans des projets artistiques. Son activité artistique s'inspire des convergences et divergences de la communication homme - machine, ainsi que des échanges entre langage naturel et image. Actuellement elle est Maître de conférences à l’Institut d’Arts, Département d’Arts Visuels de l’Université Fédérale de Uberlândia (Brésil).

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